The semi-remarkable thing is how frequently Kendrick holds the show together. For episodes to work, you have to invest in either the inevitably short-lived romances or in Darby’s ability to escape unscathed and improved. That was just a guess - I’ve seen How I Met Your Mother, after all - not a spoiler.īut is there a big audience out there for a weekly dose of “Yeah, that’s a dumb relationship for her” hijinks? It’s very hard, in such situations, to introduce a preordained dead-end relationship and do it in a way that doesn’t undermine the main character. Without having seen the last two episodes, I’m anticipating the return of that character, because otherwise I can’t imagine what the point of any of this was. Jin Ha in the premiere is the only exception. Similarly, I can’t say with certainty that it’s not intentional that through eight episodes, basically none of the men in her life have any chemistry with Darby, nor the actors with Kendrick. Maybe it’s intentional, if not entertaining. In short, each episode is a rom-com but without any romantic sparkle and without all that much comedy. But maybe that’s me looking for contrivance when the creators of Love Life were acknowledging that lots of relationships don’t have an endearing meet-cute, never make any particular sense as they’re in-progress, lack even fleeting redeeming moments and aren’t the least bit appealing to be a part of unless you’re one of the participants. I think the best version of Love Life would be one in which each episode functioned as a stand-alone romantic comedy, some with realistically bittersweet consequences. It’s really hard to tell because the show’s myopic obliviousness to its supporting characters mirrors its main character’s obliviousness. You won’t either.ĭarby lives with Sara (Zoë Chao) and Mallory (Sasha Compère), diverse roommates whose lives are vastly more complicated and perhaps more involving than hers, or at least I think their lives may be those things.
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Over the course of eight episodes sent to critics (out of the full season of 10), she works her way through a number of tangentially related jobs that she conspicuously doesn’t care about. Our heroine here is Darby (Kendrick), who aspires to do something nonspecific and boring in the city’s art world.
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Instead we get a bland story of a pretty 20-something white woman living beyond her means in New York City, going through a series of heteronormative relationships and one-night stands marked by minor incompatibility, temporary inconvenience and collective, muted banality. Either way, it’s a pretty good idea for a show, albeit one that demands a dynamic main character with a dynamic set of dating experiences leading to an interesting personal evolution on the road to love. So it isn’t even exactly a proof-of-concept so much as a proof of lack-of-conviction.
For the first few episodes of the season, the story is told with a romance-per-episode structure, but that’s abandoned around halfway, with episodes that lay a flimsy foundation for the main character’s romantic patterns. In his review for Variety, Daniel D’Addario wrote, “In all, ‘Love Life’ is amply watchable, if telling a story that seems not to be demanding its own telling.The gimmick to Love Life, created by Sam Boyd, is that it uses a single season to chart a character’s emotional journey from first romance to last. It has received mixed reviews from critics, holding a 59% critical approval rating and a 79% audience approval rating on Rotten Tomatoes. “Love Life” was one of the original launch titles for HBO Max when the streamer debuted in late May. It was also the first starring television role of Kendrick’s career. The pair previously worked together on the 2018 film “A Simple Favor,” in which Kendrick starred and Feig directed. The series marked the latest collaboration for Feig and Kendrick. “Our partnership with the entire team at the network has been wonderful and we can’t wait to dive in for more. “We were thrilled to be the first scripted series to debut on HBO Max and now we’re doubly thrilled to be their first second season pickup,” said Feig. Boyd and Bedard serve as executive producers alongside Kendrick, Paul Feig, and Dan Magnante.
The series comes from Boyd, who co-show runs with Bedard. “Love Life” is produced by Lionsgate Television and Feigco Entertainment.
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